19th century portrait painted on raw silk with ink colors and gold powder. Height 7′, width 6
This portrait depicts a royal couple sitting for a formal portrait. The official hat-dress, embroidered collar and cuffs on the gentleman, the crown on the lady, and the silk rank badges with auspicious symbol of a phoenix on their robes, signify this couple has a high official status. They sit on armchairs draped with embroidered seat covers, with feet resting on footrests crafted with the “cloud-heads” and “ruyi” motifs on the aprons signify wishes to be granted and immortality. In the background is shown an antique incense burner and flowers arranged in porcelain vases.
A formal portrait like this was always painted by a specially trained court portrait painter, with every feature of the subject correctly sized. This piece is special as each couple’s face was directly painted on raw silk fabric instead of, as often the case, the face was painted on rice paper first then imposed on facial space on the fabric so as not to make mistakes and ruin the whole portrait. The gold on the painting is actual gold powder.What is extra special about this one is that each couple’s face was directly painted on the fabric, instead of as often the case, the face painted on rice paper first and then imposed on facial space on the fabric so as not to make mistakes and ruin the whole portrait. The gold on the painting is actual gold power. This is obviously an important portrait, commissioned to be done for an important couple.
This ancient portrait shows frayed edges on the border fabric lining. Wooden rods inserted into the upper and lower ends and its huge size make it likely the portrait was meant to be hung in a palace. This portrait is rare today because not many royal portraits survived The Chinese Cultural Revolution when any dynastic painted figures were destroyed.